Birmingham Brass Founders

Brass, an alloy of copper and zinc, is a wonder material. It’s highly malleable, does not rust when exposed to air, takes a high polish, and lcan be cast into any shape. Birmingham artisans made cutlery and iron tools since at least Tudor times, and in the 18^th century the city was famous for its metal ‘toys’ (buttons, buckles, etc.). Matthew Boulton of Soho was a toy-manufacturer.

Brass casting.

Brass manufacture is said to have been introduced to Birmingham in 1740 by a Mr Turner, on Coleshill St. The growth of the city’s famous canal network made it easy to transport raw materials and finished goods. By the mid-19^th century Birmingham’s brass bolts, wire, lamps and chandeliers, nails, cabinet and gas fittings were exported worldwide. Firms like Winfield’s capitalised on the increasing popularity of brass bedsteads.

Brass strip casting.

Winfield’s exhibited at the Great Exhibition of 1851 in the Crystal Palace, Hyde Park.The royal commissioners and executive committee of the Exhibition visited Birmingham that summer: ‘At the factory of Mr Winfield, for brass-founding, a very touching scene took place...after being conducted around the interior, and having the different branches of the business explained to them...[the visitors] were ushered into a large school-room... A bell was sounded, and immediately all the work-people, male and female, came flocking into this apartment...all were dressed in their everyday attire – the paper apron and cap retained, and in most instances the shirt-sleeves turned up over the elbows. A choir was immediately formed, and a vocal performance commenced’.  A senior clerk of the firm, who gave a congratulatory address to its august visitors, had reportedly worked for Winfield’s for 25 years (Illustrated London News, 28 June 1851).

Making brass moulds.

A government investigator interviewed adults and children at Winfield’s Cambridge St works in the 1860s (3^rd Report, Children’s Employment Commission).  Brass foundries were important employers for boys (girls worked in the packing rooms). Children started work around age 7, or more usually age 9 or 10. 

The choking, poisonous fumes in the founding and casting shops affected adult and child workers. The men making ‘yellow’ brass in particular suffered from lung diseases. Henry Peel (27), a brass-caster at Timothy Smith & Sons, said that ‘you get old’ at age forty: ‘I hope to live over 40’.

You can find out more about Birmingham brass manufacture, and how to trace ancestors who worked in the industry, in the December issue of Who Do YouThink You Are? magazine. 

Illustrations of brass strip casting, the brass workers' frieze, and the canals are from the English Illustrated Magazine, 1883. Making moulds and brass casting are from the Boys' Book of Trades, c.1890s. Author's collection. 

Birmingham Children's Lives

I recently discovered a very interesting new blog about children's lives, a project by Birmingham Archives and Heritage. The blog has historical photos of children and images of documents which give an insight into their lives such as school logbooks, so do take a look if you are interested in exploring your ancestors' childhood records. 

Birmingham was home to the metal trades, such as the manufacture of steel pens. The two biggest factories were Joseph Gillott & Co. and Hinks,Wells & Co. In the 1860s, conditions in Gillott's factory were clean, and few children under thirteen were employed, but at Hinks's works like Jack Parden worked in rags because the vitriol  used to clean the steel strips for the pens splashed onto their clothes. The boys often cut their hands on the metal strips.

I hope to have some exciting news for you soon, so keep checking back for updates! 

Image: Rolling steel for pens at Hinks, Wells & Co., Birmingham. Some of the boy helpers were as young as nine years old. Illustrated London News, 22 February 1851.

Nails and Screws

Children were widely used as cheap labour in the making of nails and screws. Nails could be made by hand using wrought iron (as in the Wigan area, and Black Country), and all the family joined in the manufacturing process. ‘Cut’ nails were not as strong as wrought-nails, and were made by machine, worked by a child or man.

Screw heads were also made by machines worked by children. Birmingham was the major centre for screw manufacture in the 1860s. At Hawkins’ screw factory on Princip St, thirteen year old Mary Regan worked from 8am until 7pm, with an hour for dinner. Mary first went to work when she was about six years old, in a button factory.






These child workers had little time to go to school. Charles Sidwell (age 11), when shown a picture of a bird’s nest with eggs, said he didn’t ‘know what that picture is’. He was also shown a picture of a cow being milked: ‘ that’s a lion’, he said. (Children’s Employment Commission, 3rd report, 1864, XXII, 3414-I).

Making cut nails, and making screw heads. Charles Knight’s Pictorial Gallery of Arts, Vol. I, c.1862.