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Monday, 29 June 2026

Regency Cheshire Talk


I'm pleased to announce that on Wednesday 22 July, I will be giving a talk on 'Regency Cheshire' at Tabley House near Knutsford, Cheshire, at 2.30pm in the Picture Gallery

I hope to see you there - it's a wonderful Palladian setting, and I'm very much looking forward to meeting everyone!

Monday, 9 March 2026

Wickham's 'Blue Coat'

 

Merino sheep produced short-staple wool suitable for cloth.

My latest feature for the March/April issue of Jane Austen's Regency World is on the increasing mechanization of the woollen industry.

Wool was such a ubiquitous material that 'cloth' was synonymous with woollen fabric. 

 Despite cotton's increasing popularity, woollen cloth was still essential for warmth in Britain's unpredictable climate. Fashionable gentleman like George Wickham in Pride and Prejudice wore blue cloth coats.

A wool-carding machine.
Short-staple (short-fibre) wool was used for cloth, and a fleece required a great deal of cleaning and processing before it could be spun into thread and woven into cloth.

It was primarily the processing of the yarn which moved into the factories during late Georgian times; 'carding', 'scribbling', 'slubbing', and spinning on machines like James Hargreaves' spinning-jenny. 


A slubbing-machine or 'billy'. 


I'll be covering the innovations in the worsted industry in the May/June issue. 

Monday, 5 January 2026

Letting Off Steam


 My latest feature for Jane Austen's Regency World (January/February issue) is on the progress of steam-boats during Austen's lifetime. 

The Charlotte Dundas, financed by Patrick Miller of Dalswinton, and powered by a William Symington-designed engine, was trialled on Dalswinton Loch on 14 October 1788. 

Images: 

Left: ‘The first steamboat’, by Alexander Nasymth. Smiles, Samuel (ed.), James Nasymth Engineer; An Autobiography, John Murray, London, 1883. 


Right: Henry Bell's Comet, 1812. This was Britain's first successful passenger steam-boat. 

 The British Merchant Service, Sampson Low, Marston & Company, Fetter Lane, London, 1898. Nigel Wilkes collection. 

Friday, 19 December 2025

Happy Christmas Everyone!

 


Happy Christmas everyone! I hope you all have a wonderful Christmas and New Year. 

Image: A lady in evening dress - perhaps in mourning. Ackermann's Repository, December 1818. Courtesy New York Public Library. 

Tuesday, 16 December 2025

Jane Austen 250: Happy Birthday Jane!

 

Willoughby asks Elinor to stay.

Today is Jane Austen's 250th birthday! Pop over to my Jane Austen blog so see my highlights of her bicentenary year. 

Illustration by Charles Brock for Sense and Sensibility. Willoughby asks Elinor to stay. 

Sunday, 9 November 2025

A Visit To Thiepval

 

Thiepval Memorial. 
Over ten years ago, we paid a visit to Loos Memorial so that I could pay my respects to my great-uncles Harry and Herbert Dickman, who died in 1916. This year, I was lucky enough to visit Thiepval Memorial, where one of my 'cousins', John William Dickman, is commemorated, and to pay my respects.


 

J W Dickman, Thiepval. 

John was the son of John and Mary Dickman, of 38, Kay St., Lower Openshaw, Manchester, and he served in the 8th Battalion of the East Lancashire Regiment. He was only 24 years old when he died on 15 July 1916 - just two weeks before my great-uncle Harry was killed. (Herbert died earlier that year). 

What a terrible year that was for my family. 


Photos copyright Sue and Nigel Wilkes. 

'Scarlet Sin'


 My latest feature for Jane Austen's Regency World magazine (Nov/Dec issue) is on the ancient craft of dyeing. 

In 1814, Jane Austen wrote to Cassandra to complain about the local dyer: ‘My poor old muslin has never been dyed yet. It has been promised to be done several times. What wicked people dyers are! They begin with dipping their own souls in scarlet sin’.

Dyes were used for many different fabrics: wool, worsted, linen, cotton, and silk. 

The secret of Turkey-Red dyeing (from the Far East), was much sought after in Britain, but it was not until the 1780s that it was successfully accomplished in Britain, in Manchester and the Glasgow area. 

The late eighteenth century also saw the introduction of new dyes from metals, like 'iron buff' and orange from antimony. 

Image from the author's collection: Costume Parisien, Journal des Dames et des Modes, 1803. A ‘Robe de Mousseline Turque’ [Turkey muslin].