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Showing posts with label Wordsworth. Show all posts
Showing posts with label Wordsworth. Show all posts

Wednesday, 29 May 2019

Free Preview of Vignettes!

Jane Austen
You can enjoy a free preview of my new Amazon Kindle e-book Vignettes here!  Click on the link to read a free sample and discover the wonderful literary world of Jane Austen.

Vignettes is based on the many articles I’ve written over the years for Jane Austen’s Regency World, mostly mini-biographies of famous writers who either influenced Austen, or were contemporaries of hers. The authors chosen just happen to be my own personal favourites.


Vignettes begins with a brief introduction to Austen’s life and work.

The next chapter looks at women’s education at that date, with reference to how Austen’s contemporaries discussed it. Mary Wollstonecraft’s thoughts on daughters’ schooling, Priscilla Wakefield, Mrs Barbauld and others are included. I also discuss women’s magazines and how they helped to influence and educate young women at that time. The chapter concludes by looking at some contemporary critiques of the supposed pernicious effect of novel-reading.

The following chapter looks at the lives of Hogarth, Rudolph Ackermann, Johnson and Boswell. 
The chapter after that discusses Jane’s contemporary rivals like Ann Radcliffe, Mary Brunton, Fanny Burney and Mme de Stael.

After a chapter on social ‘influencers’ like Parson Malthus, Thomas Bernard and Robert Owen, we move on to discussing the lives of Cowper and Thomson, William and Dorothy Wordsworth, John Keats, Percy and Mary Shelley, Robert Burns, Sir Walter Scott, etc. Wherever possible, I have set each author in the context of Jane’s life and works by including quotes from her letters and novels. 

Wednesday, 15 May 2019

My New E-Book: VIGNETTES

I'm very pleased to announce that I've just published a new book on Amazon Kindle: 'Vignettes: Literary Lives in the Age of Austen'.

Here's a copy of the blurb:

'Jane Austen lived in a ground-breaking era for English Literature. This was the age of William Wordsworth, Percy and Mary Shelley, John Keats, and others. Austen herself drew inspiration from the writers who came before her, like Doctor Johnson, Thomson, Cowper and Fanny Burney. She faced stiff competition from the rival novelists of her day like Ann Radcliffe, Mary Brunton, and Walter Scott.
Jane Austen's House Museum, Chawton. 
Away from the novelists’ world, writers like Mary Wollstonecraft argued passionately for women’s rights, and Parson Malthus, Robert Owen and Thomas Bernard discussed how best to deal with the poor.
Based on the author’s previously published articles in Jane Austen's Regency World magazine, this lively exploration of Austen’s times also looks at popular literature. How did our tradition of Christmas ‘annuals’ begin? Were female novel-readers really the ‘slaves of vice’? Find out more in 'Vignettes'. '

Robert Burns. 
The book also discusses the career of poet Robert Burns, writer Robert Southey, and publisher Rudolph Ackermann.

I hope you enjoy reading it as much as I've enjoyed researching the stories of all these wonderful writers over the years!

Monday, 8 August 2016

The 'Spy Nozy' Affair


Alfoxton House.

In early August 1797, a concerned resident wrote to the Home Office to report his fears about the new tenants at Alfoxton (Alfoxden) House, near the little village of Holford, Somerset. He believed that these incomers were actually French spies (especially as there had recently been an attempted invasion at Fishguard in Wales).
The new tenants were actually William Wordsworth and his sister Dorothy. A couple of years earlier, they had set up their first real home together (a long-held dream) at Racedown Lodge, in Dorset. Then 1795, Wordsworth met Samuel Taylor Coleridge, and a famous literary friendship blossomed. The Wordsworths moved to Alfoxton House, not far from Coleridge’scottage at Nether Stowey. The two men, accompanied by Dorothy, went on long walks together over hill and dale, discussing poetry and philosophy long into the night. 
The Home Office spent special agent James Walsh to investigate. From his base at Nether Stowey, he discovered that one of the guests at Alfoxton was ‘Citizen’ John Thelwall, a noted Radical and Jacobin sympathiser he had been investigating for years.
William Wordsworth.
Next, he turned his attention to Coleridge, who was said to have his own printing press – perfect for publishing seditious literature. Coleridge and Wordsworth often rested and chatted on their favourite seat by the seashore at Kilve, discussing poetry and philosophy. The agent hid for hours, listening to their conversation. He was alarmed; the spies seem to know of his presence – they repeatedly talk about ‘Spy Nozy’. At last Walsh was convinced that Spy Nozy was ‘the name of a man (Spinoza) who had made a book, and lived a long time ago’. The Home Office had nothing to worry about.
Coleridge Cottage.
Were the Romantic poets really in danger of being imprisoned, maybe even executed? Coleridge, apprised of the tale from the pub landlord, had a wonderful after-dinner story to entertain his guests. Wordsworth treated the whole affair as a storm in a teacup, but the owner of Alfoxton, angered by rumours of Jacobins, gave him notice to quit soon after. Writer Thomas de Quincey later dismissed the ‘Spy Nozy’ story as a fable, and insisted Coleridge had been duped. 

But the Home Office files clearly show that the story was true – and that for a time at least, someone in the Government took the matter very seriously indeed…


 Images:
Alfoxden (Alfoxton) House, Somerset.  Dorothy and William lived here in 1797-8.  © Sue Wilkes.
Coleridge’s cottage at Nether Stowey. © Sue Wilkes.
Wordsworth. Engraving by the Brothers Dalziel for Poets of the Nineteenth Century, (Frederick Warne & Co., c.1870).

Friday, 18 May 2012

A Romantic Ruin

I have passed Tintern Abbey many times while driving down the Wye Valley, but haven’t had a chance to explore this picturesque site until very recently. Tintern, of course, has its own story to tell: it was home to the Cistercian order during the twelfth century. It is also legendary for being one of the birthplaces of Romanticism. William Wordsworth, his sister Dorothy, Samuel Taylor Coleridge and Robert Southey all visited the ruins, which inspired one of Wordsworth's most famous poems.


But this beautiful, tranquil valley was also formerly home to thriving metal industries. There was an ironworks here as early as the sixteenth century, a wireworks, and later a railway. The clatter, smoke and din of industry have all long since gone, however. If you walk away from the main road and up along the valley, there is only birdsong to disturb the silence…

Images: Tintern Abbey, Tintern Abbey furnace.   © Sue Wilkes

Thursday, 8 November 2007

Could you be the next Pepys?

This feature first appeared in Chapter and Verse, and was used as an example for students in Writers Bureau course material.

COULD YOU BE THE NEXT PEPYS?

Have you ever thought of keeping a diary? Somewhere to write down all the important things which happened to you today; confess your inner thoughts and feelings, joys and sorrows, secret worries… and the shocking price of potatoes.
However detailed you make your journal, you will be following a time-honoured path, in the footsteps of some of our most famous literary men and women.
Samuel Pepys (1633- 1703), the great diarist, is a hard act to follow. Of course, he lived in interesting times; he witnessed the Plague of 1665 and the Great Fire of London.

"2 Sept 1666. …we could see up the hill of the City, in a most horrid malicious bloody flame, not like the fine flame of an ordinary fire. We stayed till, it being darkish, we saw the fire as only one entire arch of fire… above a mile long. It made me weep to see it… "

Pepys held an important post in the Navy Board, and helped lay the foundations of the modern Royal Navy; he recorded his work and home life in unparalleled detail and wonderful prose. Because of the dangerous political climate after the Restoration of the Stuart monarchy, his diary was written in a special shorthand to keep it from prying eyes, (not his long-suffering wife Elizabeth, who knew no shorthand). When a careless remark literally meant risking one’s neck, just meeting an old school friend was cause for alarm.

"1 November 1660. …He did remember that I was a great Roundhead when I was a boy, and I was much afeared that he would have remembered the words that I said the day that the King was beheaded…"
Even today, political diaries can cause controversy, such as Richard Crossman’s diaries in the mid 1970s, or more recently Alan Clark’s witty, highly personal account of ministerial life during the Thatcher years.

Of course, only a select few of us are in a position to write a great political journal. “Who would want to read my diary?” you may ask yourself. But remember, the tiny details of everyday life become forgotten precisely because few people bother to write them down. Washing day, for example, meant an early start in the Pepys household:

"6 Oct. 1663. Slept pretty well, and my wife waked to ring the bell to call up the maids to the washing about 4 a-clock and I was, and she, angry that our bell did not wake them sooner; but I will get a bigger bell."

Pepys loved music, dancing, and going to the theatre (not always in his wife’s company); one wonders what Pepys would have thought about cinema and television. Every generation has its own pastimes and pleasures, and an enjoyable day out is always worth recording. Parson James Woodforde (1740 -1803), who lived in Norfolk, mentions visits to the seaside, a trip to witness a balloon ascent, and spending a shilling to see a “learned Pigg” with a “magic collar” at a local inn.

How intimate should you make your diary? Would you want your children and grandchildren to read about your love life? Pepys’s Diary was so explicit concerning his extra-marital affairs that it was not published in full until the 1970s; yet he obviously hoped it would be read by later generations, because he took great pains to ensure that all six leather-bound volumes were carefully preserved at Magdalene College, Cambridge in their original bookcases.

Another wonderful diarist who actually wanted his work to be published after his death was James Boswell (1740 -1795); but his family felt the contents of his journal to be so scandalous that it was hidden away for many years. The story of how the Boswell papers were ‘lost,’ scattered, and retrieved is a detective story in itself; it was not until the late 1920s that Boswell’s private papers and journal were in print at last.

Boswell’s London journal was sent to his friend John Johnstone in weekly parcels, so he was consciously writing his story for an audience. But he does not scruple to set down his good and bad days, his follies and social solecisms, with an engaging candour, even if it means showing himself in a poor light for his reader. The diary is peppered with everyday conversation, such as the customers’ chatter in Child’s, the coffee-house where he often dined, meetings with writer Oliver Goldsmith, actor David Garrick and many others.

Monday 16 May, 1763 was the day which changed Boswell’s life forever. At last he met “…the great Samuel Johnson, whom I have so long wished to see. …As I knew his mortal antipathy to the Scotch, I cried to Davies, ‘Don’t tell where I come from.’ However, he said, ‘From Scotland.’ ‘Mr Johnson,’ said I, ‘indeed I come from Scotland, but I cannot help it.’ ‘Sir,’ replied he, ‘that, I find, is what a very great many of your countrymen cannot help.’…I shall mark what I remember of his conversation.”

This historic meeting led to an extraordinary friendship between the two men, and to the first truly modern biography, Boswell’s Life of Samuel Johnson (1791), which depicted Johnson ‘warts and all’; no detail was too trifling or personal to be omitted in the Scotsman’s celebrated portrait of his friend.

A loving vignette of another famous literary figure comes from the pen of Dorothy Wordsworth (1771- 1855), sister of poet William. Dorothy and William were exceptionally close despite, or perhaps because of, being separated during a large part of their childhood; they lived and travelled together even after William’s marriage to Mary Hutchinson. Through Dorothy’s eyes, we can see William at work on his poems in their tiny home at Dove Cottage, Grasmere;

"March 14, 1802. William had slept badly…at breakfast…with his basin of broth beside him untouched, and a little plate of bread and butter, he wrote the Poem to a Butterfly…"

Dorothy writes about her walks with William and their friendship with Samuel Taylor Coleridge in vivid prose, and we know both William and Coleridge drew inspiration from her journals. Here is Dorothy’s description of an unforgettable sight which William recreated as his ‘Daffodils’ poem:

"15 April 1802. … I never saw daffodils so beautiful…some rested their heads upon these stones as on a pillow for weariness; and the rest tossed and reeled and danced, and seemed as if they verily laughed with the wind…"

Dorothy’s journal was not published in her lifetime, but she was happy for friends and family to read it. Your prospective audience will determine how minutely you record your daily life; whether you intend it to be a family memoir, or a voyage through your emotions. The feeling of ‘looking over someone’s shoulder’, of vicariously sharing another person’s existence, has been used with huge dramatic effect by novelists through the ages. Daniel Defoe’s Journal of the Plague Year (1722) is a fictional account of the Plague based on eyewitness and official accounts of that traumatic time.

More recently, Sue Townsend’s The Secret Diary of Adrian Mole aged 13 ¾ was a best-seller, and Helen Fielding’s Bridget Jones’s Diary offers a modern ‘take’ on Jane Austen’s Pride and Prejudice.

How should you record your diary? Pen and ink has a satisfying permanence; of course you could use your PC, but don’t forget the floppy disks and CD-ROMs of today may not be compatible with computers of the future, so you should always keep a hard copy. If you have internet access, you can even put your diary on the World Wide Web as a ‘weblog’ so that at the click of a mouse, millions of people can share your life.

Whether you write your diary for the historical record or just for fun, it seems keeping a diary can become addictive. Samuel Johnson advised James Boswell to make sure a friend burnt his diaries after his death; but Boswell was horrified by the idea. “I have such an affection for this my journal that it shocks me to think of burning it.”

Pepys faithfully kept his diary from 1660 - 1669, (apart from a few days when he went on holiday) but his eyesight deteriorated and he became convinced (wrongly) he was going blind, and that the strain of writing by candlelight was aggravating his complaint. He bade a sad farewell to his ‘journall’:

"May 31 1669. …And so I betake myself to that course which is almost as much as to see to myself go into my grave – for which, and all the discomforts that will accompany my being blind, the good God prepare me."

Although his eye disorder did not worsen, and he later wrote two more brief journals, Pepys never again created work of the stature of his great Diary, in which he laid his life bare in his own singular language and style.

Samuel Pepys was very much a man forged in his own times; if born today, what kind of journal would he have written? Maybe someone, somewhere is busy scribbling what will one day be regarded as the definitive Diary of our age.

Could it be you?

Text © Sue Wilkes, 2004.
Image © Sue and Nigel Wilkes. Illustration from Charles Knight's History of England, c. 1868, Author's collection.