Search This Blog

Friday, 1 November 2024

As Poor As A Stockinger


 My latest feature in my continuing industrial series for Jane Austen's Regency World (November issue) is on framework-knitters (stockingers). 

Framework-knitters were extremely poorly paid. In March 1819, a Leicester framework-knitter, William Jackson, told a parliamentary select committee that none of the workmen earned more than six shillings a week (36p) on average, despite working a 15-hour day. 

Children helped their parents. Leicester had a wife and six children to support. He said that he earned eight shillings a week for making 'superfine' stockings, and he had 'put three of them into the frame' [i.e., making stockings], and they earned him 'nine shillings a week more'. William's wife did some seaming, for which she earned one shilling and sixpence. So their total income was 'eighteen shillings and sixpence'. The family was behind with their rent, and were in debt, even though Jackson had sold some of his belongings to try and make ends meet. 

Washing, fulling or 'felting' stockings. 

Probably one of the best-known stockingers was Jeremiah Brandreth, who was hanged for treason in 1817 following the ill-fated Pentrich Rising. Many contemporaries believed that Brandreth (a former Luddite), and his unfortunate companions on the gallows, was entrapped by a notorious government spy

Image of a stocking weaver courtesy of the Wellcome Library

Image of washing, fulling and felting stockings from Denis Diderot and Jean le Rond d’Alembert, Recuil de Planches de l’Encyclopédie Par Order De Matières, Tome Sixième, (Panckoucke, Paris, 1786). Author’s collection. 

Monday, 30 September 2024

Out Now!

 

My latest release, Young Workers of the Industrial Age, is out now!

It's currently on special offer at Pen and Sword, or alternatively you can buy it on Amazon UK

American readers can pre-order it here on Amazon US  - it will be released in the USA on 30 November. 

The Great Exhibition, 1851.
Once upon a time, in the reign of Queen Victoria, a fairytale palace of glass was built. 

The Great Exhibition of 1851 showed the wonders of Britain’s industry and empire.

But there was a dark truth behind this glittering display. Great Britain’s industrial might was built on the backs of men, women and little children.



In A Welsh Coal Mine.


Children of all ages worked day and night. They toiled in the silk mills, cotton factories and bleachworks. 

They toiled beneath the ground in coal mines, far from the light of day. And they toiled in the dark heart of the glasshouses, lit only by the blaze of the furnaces.

Children worked on the land, too. Their work, like helping bring in the harvest. was regulated by the seasons. 

The Gleaner, 1830s. 

It was incredible just how many different trades and industries used child labour in Britain. Children also worked in people's homes as domestic servants.

Over the next few blog posts, I’ll be taking a look at some of these occupations, and the perils that children faced in some of them.


All images from the author's collection. 


Tuesday, 25 June 2024

Forging A New Age of Iron

Butterley Iron Works, Derbyshire. 

My latest feature in my Industrial Revolution series for Jane Austen's Regency World (July/August issue) is on the advances made in cast-iron manufacture. In 1775, the year that Jane Austen was born, James Watt’s designs for improved steam-engines first became commercially available.  

Boulton and Watt’s Soho Foundry's steam-engines engines supplied the ‘blast’ for furnaces (instead of bellows); powered forge hammers; and later, powered rolling- and slitting-mills. 

This beach house at Sidmouth (image right) has a cast-iron balcony or 'balconette). 

The genry loved the utility and simplicity of iron. Mr Rushworth’s house in Mansfield Park has a ‘long terrace walk, backed by iron palisades…beyond the bowling-green’.  And a locked iron gate gives Henry Crawford the key to gaining Maria Bertram’s heart. 

Images: 

The Casting-house at Butterley Iron Works, Ripley, Derbyshire. The Pentrich rebels attacked the works in 1817, but were thwarted by its manager. Charles Knight’s Pictorial Gallery of Arts, Vol. 1, London, (c. 1860). Author’s collection. 

Sidmouth photo © Sue Wilkes. 




Tuesday, 14 May 2024

'A Very Pretty Spotted Muslin'

 


In Northanger Abbey, Miss Tilney wore a 'very pretty spotted muslin'.  My latest feature in my ongoing series for Jane Austen's Regency World (May/June issue) is on calico-printing. You will be able to find out more about the lives of child workers in the calico-printing industry in my forthcoming book, Young Workers of the Industrial Age, to be published by Pen & Sword this autumn. 



Images from the author's collection:

Above: Morning Dress, Lady’s Monthly Museum, February 1801. Figure on the right is wearing a ‘printed cotton gown’ with a ‘stone-coloured pelisse, trimmed with fur. A white velvet bonnet, crossed with green velvet bands’. 

Image right: Block printer and tierer or ‘tear girl’. Children as young as six worked for twelve hours or more helping block printers. Charles Knight’s Pictorial Gallery of Arts Vol. I, (c.1862).

Tuesday, 23 April 2024

Lord Byron Bicentenary

Lord Byron.

19 April was the 200th anniversary of Lord Byron's tragically early death at Missolonghi, Greece. 

This 'poor little rich boy', born in 1788, was the son of 'Mad Jack', as Captain Byron was known, and Catherine Gordon of Gight. 

Byron spent his childhood in Aberdeen, and was later educated at Harrow.

When Byron succeeded to the baronetcy in 1798, he discovered that his predecessors had squandered the family fortune. The ancient family home, Newstead Abbey, was ruinous and forlorn. 

'Hours of Idleness', his first collection of poems, was published in 1807, but received short shrift from some reviewers.  However, it was the publication of Childe Harold (1812), which brought Byron instant fame. 



Newstead Abbey. 



A chaotic and colourful love life - including, many believe, a relationship with his half-sister Augusta - and a disastrous marriage to Annabella Milbanke led to a different kind of notoriety.

Byron left England for good in 1816. He never saw his divorced wife, or their little girl, Ada, again. 



Bosun's Monument, Newstead.




Lord Byron travelled widely - Switzerland, Italy, and Greece - and you can explore an interactive map of his travels here

His relationships with Percy Bysshe Shelley, Mary Shelley, Claire Clairmont would fill a book by themselves.


Cascata Delle Marmore, near Terni.


Lord Byron visited this 'matchless cataract' near Terni in 1817 (image on the right).


Byron lived a full life abroad. There was a torrent of new poems, lovers, travels, history, architecture. But he wanted a cause to believe in - and the need for freedom for the Greek people truly inspired him.

He arrived in Greece in 1824, ready to fight for freedom. However, his doctors, and a fever,  proved too much for Lord Byron. 

The Byron Society has a list of events planned for the bicentenary here



Byron's Residence at Missolonghi in 1824. 









Images:

Lord Byron. Published by James Robins & Co., 1824.

Newstead Abbey. © Sue Wilkes.

The dog Bosun's monument, Newstead Abbey. © Sue Wilkes.

A bust of Lord Byron in the gardens of Newstead Abbey. © Sue Wilkes.

Cascata Delle Marmore, © Sue Wilkes.

'Lord Byron's Residence at Missolonghi' where he died in 1824. An 1827 engraving by H.Raper and R.Roberts, author's collection. 

Monday, 4 March 2024

Saving Lives At Sea for 200 Years!

 

Sir William Hillary
Britain is an island nation. Since ancient times, our commerce and defence depended on the sea. But our treacherous waters exacted a terrific toll of ships and passengers every year. Victims often lost their lives within sight of shore because no vessel was strong enough to reach them safely. 

The late eighteenth century witnessed the earliest recorded attempts at organized rescue efforts.  At Formby, Lancashire, a boat was kept on shore specifically to aid shipwrecked persons as early as 1776. The notoriously dangerous Mersey estuary had shifting sandbanks, and the Liverpool Dock Trustees founded several coastal lifeboat stations. The crews manning the boats were rewarded for every life they saved. 

Sir William Hillary founded the Royal National Institution for the Preservation of Life from Shipwreck in 1824. Hillary, who lived on the Isle of Man, had personally witnessed several shipwrecks in Douglas Bay, and helped save some victims.

I was very interested to discover that Jane Austen's sailor brothers, Frank and Charles, were keen supporters of the Institution. You can find out more in my latest article for the March issue of Jane Austen's Regency World magazine, which features the amazing story of the birth of the Royal National Lifeboat Institution.

Images: Sir William Hillary, shown wearing the robes and cross of a Knight of the Order of St John of Jerusalem, commonly known as a Knight of Malta. Artist unknown, English School, mid 19th Century. Courtesy of the RNLI Archive.

Author’s Collection: Captain Marryat’s design for a new lifeboat, Gentleman’s Magazine, May 1820.



Thursday, 18 January 2024

A Bright Future

Old-style crown glass shop windows.

My latest feature for Jane Austen's Regency World's January issue, in my series on Austen and the Industrial Revolution, is on glass manufacture. 

When Jane Austen visited her brother Henry in London, she would have seen the new fashion for large, imposing plate-glass shop-windows. 

Plate-glass casting at Ravenhead.

Until the late eighteenth century, plate-glass, used for the largest windows or mirrors, was incredibly expensive. Only the wealthiest could afford it. 

But the advent of plate-glass casting at Ravenhead (the British Plate Glass Co.) in 1773, followed by glass-houses on Tyneside, where there was already a flourishing industry, revolutionised the look of British retail establishments. 

Glass-making in Britain faced a bright future!



Images

A New Bond street shop in the 1790s. Before plate glass became affordable, shop windows were made from small panes of crown glass. James Gillray 1796, courtesy Library of Congress, catalogue number: LC-USZC4-8787.

Casting plate glass at the Ravenhead works in Lancashire in the 1840s. Engraving by Mr Sly. Pictorial History of the County of Lancashire, 1844. Author’s collection.