Not Long Now!

My forthcoming book A Visitor's Guide to Jane Austen's England is now available for pre-order from Amazon UK (release date 30 October) and Amazon US. 
Discover Jane Austen's world and immerse yourself in the vanished world inhabited by Austen’s contemporaries. My book is an intimate exploration of how the upper and middle classes lived from 1775, the year of Austen’s birth, to her death in 1817.

'Will you do me the honour of reading that letter?' Darcy meets Elizabeth in the park. 

Jane Austen and Whitchurch

Jane Austen.

Visit my Jane Austen blog for my new post on the pretty town of Whitchurch in Hampshire.

Our Flanders Adventure IV: Loos Memorial

Harry Dickman, Lancashire Fusiliers.

Our next stop on our Flanders journey was Loos Memorial (Dud Corner) in France, where the deaths of two of my great-uncles are commemorated. Harry and Herbert Dickman both volunteered to serve in 1915, but were killed within a few weeks of each other in 1916. Their bodies were never found.

This was a very moving moment for me as I have wanted to visit their memorials and pay my respects for a long time.

I felt sad when my visit was over, but the Loos Memorial seems a very fitting last resting place for my relatives as they were both Lancashire miners.

Harry Dickman, Loos Memorial panel, Lancs Fusiliers.

Dud Corner is sited in a mining area, and immense coal spoil heaps loom large on the horizon. But you can hear the birds singing, and the cemetery is bright with flowers.

Loos Memorial

Herbert Dickman, Loos Memorial panel, Royal Fusiliers.

Original modern photos © Sue Wilkes.

Photo of Harry Dickman in uniform published by kind permission of Mandy Taylor (to whom copyright is reserved). I am very grateful indeed to Mandy for letting me include this lovely photo of our ancestor. 

 

Our Flanders Adventure III: Silent Witnesses

A silent memorial: the black marks on this tree stump (left) at the In Flanders Fields Museum (see my previous blog post) bears witness to the terrific bombing and shelling of Ypres during the Great War. The tree first grew in 1760, the year when George III came to the throne, and it was 235 years old when felled in 1994.
The tree ring marked #4 is 1815, the battle of Waterloo; #7 is 1865, the end of the American Civil War, and #10 marks the start of WW1 in 1914.

Storm clouds and rain over the Flanders fields behind the 'Cross of Sacrifice' at Tyne Cot.

Our next stop on our Belgian journey into the past was a visit to Tyne Cot near Passchendaele. It's the largest CWGC graveyard and memorial in the world, and it was sobering to see how many brave men are remembered there; almost three-quarters of the graves are of unknown soldiers. Like all the war grave sites, it's immaculately kept, and a very peaceful place. It's very difficult to imagine that battle raged here for so many months. 

If your ancestors died in the Great War, you can search the CWGC website for their memorial.

 

The remains of a German pillbox at Tyne Cot.

The remains of a blockhouse or pillbox, now a memorial, at Tyne Cot which was captured by the 3rd Australian Division in 1917.

All photos © Sue Wilkes.

Philip Astley, Father of the Modern Circus

My latest post on my Jane Austen blog is on Philip Astley and his Amphitheatre, where thrilling equestrian performances were staged in the late 18th and 19th centuries. Astley's Amphitheatre is also the focus of my latest article, the cover story for the July issue of Jane Austen's Regency World.

Our Flanders Adventure II

Ieper Cloth Hall today.

Our first stop on our visit to Belgium was an afternoon in Ypres. It's hard to believe that this bustling city was left a smoking ruin by repeated enemy shelling in the battles for the Ypres Salient.

The town's beautiful medieval Cloth Hall and St Martin's Cathedral were both reduced to a pile of rubble, but the city was rebuilt after the war.

The Cloth Hall is now home to the In Flanders Museum, and this is an amazing site to visit, whatever your nationality.

Photo postcard of the Cloth Hall before and during a fire in November 1914.

A display inside the In Flanders Field Museum.

When you enter the museum you are given a 'magic bracelet', which you use to log in to the museum computer, and you type in your surname and place of origin.

Then as you explore the museum, you use your bracelet at various points to access information, images and displays (in your own language) of stories and people caught up in the 'war to end all wars'.

Photo postcard of the ruins of the Cloth Hall in 1919. 

At the end of your visit, the museum computer tells you how many people with that surname died in the war (very interesting), and you can choose to have your museum 'experience' printed off or emailed to you. Then you can have a coffee in the cafe or rummage in the museum bookshop.

All modern photos © Sue Wilkes. All postcards from the author's collection.

Photo postcard of the ruined south portal of the Cathedral, postmarked 1918.

Writers’ Blog Tour

I was thrilled to be asked to take part in the Writers’ Blog Tour by my author friend Michelle Higgs – you can visit her blog here.

Michelle also invited Angela Buckley to take part, and you can find out more about Angela at http://victoriansupersleuth.com/.  Michelle was originally invited to join the tour by Gillian Mawson - do check out her work at http://whaleybridgewriter.blogspot.co.uk

As you can see, the idea is that the international community of writers and authors all help each other so that their blogs reach a larger audience!

Now, like previous hosts of the Writers’ Blog Tour, I’m going to answer four questions about my work and writing.  

What am I working on?

I’m currently seeing my forthcoming book A Visitor’s Guide to Jane Austen’s England through the final production process. If all goes well it will be published by Pen and Sword in late October 2014.  In the Visitor’s Guide readers can immerse themselves in the vanished world inhabited by Austen’s contemporaries. It’s an intimate exploration of how the middle and upper classes lived from 1775, the year of Jane Austen’s birth, to her death in 1817. I’ve also started working on a new book, Regency Spies, for Pen & Sword’s History imprint. In Regency Spies, I’ll be revealing the shadowy world of Britain’s spies, rebels and secret societies from the late 1780s until 1820.

How does my work differ from others of its genre?

This question is almost impossible to answer when so many great books have already been published by many talented history writers, but I’ll do my best. I’m fascinated by real people’s stories: how our ancestors lived and died. History isn’t just a series of dates, or the names of kings and queens. History was made by ordinary men, women and children: the navvies who built the canals, roads and railways, the labourers who worked in the fields, and the weavers who toiled in their garrets or in the mills. I’m especially interested in the great social divide between rich and poor. 

 Why do I write what I do?

As I said earlier, I love exploring people’s real past lives. I have a real passion for history – whenever I visit a museum or heritage site, I wish I could soak up its history like a sponge. It’s fascinating seeing old factories and buildings, machinery, ‘recreations’ of people’s homes and lifestyles, and the artefacts and tools which people used. I love visiting archives, and reading people’s letters and diaries. There’s always more to learn, and I’m never happier than when I’ve learnt something new, or have uncovered an amazing true story – and can share it with my readers. 

How does my writing process work?

I don’t begin writing until I’ve done lots of reading and research! Then (still reading/researching) I begin building up a mental picture of what I want to say and make some tentative notes on the computer – noting references as I go along. I’m usually working to a tight deadline, so I start roughing out each chapter as early as possible, but each chapter is very much subject to revision. The ‘proper’ writing begins when I have finished the main research in archives and primary sources. But in practice I am still reading while writing because often another author may help shed fresh light on a subject. Each article or book undergoes several rewrites and checks before the final edit, although I don’t think a piece of work is ever truly ‘finished’! This is probably not a very organised way of working, and I wouldn’t recommend it for everyone!

I hope you’ve enjoyed your visit to my blog. Now I’d like to introduce you to two more wonderful writers:

Jane Odiwe

Jane Odiwe is the author of five Austen-inspired novels, Project Darcy, Searching for Captain Wentworth, (White Soup Press) Mr Darcy's Secret, Willoughby's Return, and Lydia Bennet's Story, (Sourcebooks) and the short story, Waiting, commissioned for Jane Austen Made Me Do It, (Random House).

Jane also loves painting scenes from Austen’s world - her illustrations feature in a biographical film for Sony of Jane Austen's life and in the book, Effusions of Fancy.

Website: http://www.austeneffusions.com/

Emma Jolly

Emma Jolly is a writer, genealogist and historian. A regular contributor to family history publications, Emma is the author of four books, My Ancestor was a Woman at War (2014), Tracing Your Ancestors Using the Census (2013), Tracing Your British Indian Ancestors (2012) and Family History for Kids (2007). As a genealogist, she specializes in problem-solving and British India. Having recently completed an MA in Imperialism and Culture, Emma is now focused on women’s history projects.

Website: www.emmajolly.co.uk

Image: Pit brow lasses in Staffordshire.  Reports of the Inspectors of Factories, 31 October 1875.Author's collection.