I'd like to wish all my readers a Merry Christmas and a Happy New Year! I'll be back in 2018 with more blog posts about social history.
If you pop over to my Jane Austen blog, you can read about the fun the Austen family had with their Christmas theatricals.
Illustration by Cecil Aldin, courtesy the Wellcome Library.
I'm an author specialising in family history, social history, industrial history and literary biography. Real stories; real people; real lives.
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Friday, 15 December 2017
Friday, 1 December 2017
A Georgian Heroine: Eleanor Coade
Coade Stone Factory, Narrow Wall, Lambeth, anonymous, 1790s. |
Today I'd like to welcome back fellow Pen & Sword authors Joanne Major and Sarah Murden to my blog! They have a fascinating new book out, which you can order here!
Here's Sarah and Joanne's blog post:
Eleanor Coade (1733-1821)
Eleanor Coade was an
extremely successful businesswoman during the Georgian era, something which was
highly unusual. It seems likely that she inherited her business acumen from her
grandmother, Sarah Enchmarch, a formidable woman from Tiverton, Devon who took
over the running of the family textile business for some twenty-five years
following the death of her husband, Thomas in 1735.
Coade Stone Factory yard on Narrow Wall Lambeth c.1800 by Shepherd. |
On reading Sarah
Enchmarch’s will (proved in 1760), it is clear that as well as providing for
her sons, she wanted to ensure that her six daughters were well provided for
and that the legacies they received were to be for their use, exclusive of
their husbands or future husbands. Sarah also left a legacy of five hundred
pounds for her two Coade granddaughters, money that would be invaluable to
Eleanor when she came to establishing her own business.
Eleanor is noted for
the invention of a product known as Coade Stone, also called Lithodipyra; the
secret of its manufacture endures to this day. She ran her very successful
manufacturing operation for over fifty years by the King’s Arms Stairs on
Narrow Wall in Lambeth, having taken over the ailing artificial stone business
of a Daniel Pincot in 1769.
You rather get the
impression that Eleanor was not a woman to be trifled with and she certainly
stood her ground, as shown in the Public Advertiser of September 1771, when she
wanted to make it very clear that Daniel Pincot was certainly not the owner of
the business, despite rumours to the contrary.
Eleanor Coade trade card |
Whereas Mr Daniel
Pincot has represented himself as a partner in the Manufactory conducted by
him, ELEANOR COADE, the real proprietor, finds it needful to inform the public
that the said Mr Pincot is no other than a servant to her and that no
contracts, or agreements, discharges or receipts will be allowed by her, unless
signed by herself.
The product Eleanor
developed was described in a sales brochure for her showroom which opened in
1799, as giving ‘durability resembling Jasper and Porphyry. Frost and Damps
have no effect upon it, consequently it retains a sharpness not to be
diminished by the changes of climate’.
View of Westminster Bridge, from Kings Arms Stairs, Narrow Wall, Lambeth - YBA |
Every piece of stone
sent out had the name COADE indented on it, effectively copyrighting Eleanor’s
work. She was certainly not backward in coming forward in promoting her product
and the brochure listed numerous places across Britain where you could see
examples of her work and Coade stone was exported around the world, everywhere from
Philadelphia to Poland. Eleanor opened a gallery to which the public were
admitted between 10am and 4pm for one shilling per person, so she even managed
to make money by charging people to see her work, let alone sell it – what a
businesswoman she was!
Coade stone statue of George III, now in the grounds of Lincoln Castle. © Joanne Major |
Another example of her strong character was evident in 1774. She was annoyed that, as a result of a hard frost, a number of pieces made from artificial stone were damaged and so again took to the newspapers to make it crystal clear that such damaged pieces were an inferior product and not from her factory.
Eleanor Coade was a neighbour of the subject of our latest biography, A Georgian Heroine: The Intriguing Life of Rachel Charlotte Williams Biggs. Charlotte, as she preferred to be known, was the daughter of a Welshman who relocated to Lambeth when she was still a child. The Williams family took a house on Narrow Wall (where the Festival Hall complex is now situated) just a few doors away from Eleanor’s artificial stone manufactory. Eleanor Coade was probably aware of the gossip surrounding Charlotte’s torment in her late teens by a ‘libertine, half mad and half fool’, a man who owned one of the timber yards on the Lambeth shoreline and whose mother also lived on Narrow Wall.
If you’d like to discover more about Charlotte
and her Lambeth neighbours, all is revealed in A Georgian Heroine: The Intriguing Life of Rachel Charlotte Williams
Biggs which is out now in the UK (and coming soon
worldwide) and can be found at Pen & Sword, Amazon and all good bookshops.
Rachel
Charlotte Williams Biggs lived an incredible life, one which proved that fact
is often much stranger than fiction. As a young woman she endured a tortured
existence at the hands of a male tormentor, but emerged from that to reinvent
herself as a playwright and author; a political pamphleteer and a spy, working
for the British Government and later single-handedly organising George III’s
jubilee celebrations. Trapped in France during the revolutionary years of
1792-95, she published an anonymous account of her adventures. However, was
everything as it seemed? The extraordinary Mrs Biggs lived life upon her own
terms in an age when it was a man’s world, using politicians as her mouthpiece
in the Houses of Parliament and corresponding with the greatest men of the day.
Throughout it all though, she held on to the ideal of her one youthful true
love, a man who abandoned her to her fate and spent his entire adult life in
India. Who was this amazing lady?
In A Georgian Heroine: The Intriguing Life of
Rachel Charlotte Williams Biggs, we delve into her life to reveal her
accomplishments and lay bare Mrs Biggs’ continued re-invention of herself. This
is the bizarre but true story of an astounding woman persevering in a man’s
world.
Sources
Used
Public Advertiser (London, England),
Wednesday, 11th September 1771
Coade’s Gallery, or, exhibition in
artificial stone, Westminster Bridge Road 1799
National Archives PROB 11/860/509
Tiverton Parish Registers
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