Tuesday, 25 November 2014

Birmingham Brass Founders




Brass, an alloy of copper and zinc, is a wonder material. It’s highly malleable, does not rust when exposed to air, takes a high polish, and lcan be cast into any shape. Birmingham artisans made cutlery and iron tools since at least Tudor times, and in the 18th century the city was famous for its metal ‘toys’ (buttons, buckles, etc.). Matthew Boulton of Soho was a toy-manufacturer.

Brass casting.
Brass manufacture is said to have been introduced to Birmingham in 1740 by a Mr Turner, on Coleshill St. The growth of the city’s famous canal network made it easy to transport raw materials and finished goods. By the mid-19th century Birmingham’s brass bolts, wire, lamps and chandeliers, nails, cabinet and gas fittings were exported worldwide. Firms like Winfield’s capitalised on the increasing popularity of brass bedsteads.
Brass strip casting.
Winfield’s exhibited at the Great Exhibition of 1851 in the Crystal Palace, Hyde Park.The royal commissioners and executive committee of the Exhibition visited Birmingham that summer: ‘At the factory of Mr Winfield, for brass-founding, a very touching scene took place...after being conducted around the interior, and having the different branches of the business explained to them...[the visitors] were ushered into a large school-room... A bell was sounded, and immediately all the work-people, male and female, came flocking into this apartment...all were dressed in their everyday attire – the paper apron and cap retained, and in most instances the shirt-sleeves turned up over the elbows. A choir was immediately formed, and a vocal performance commenced’.  A senior clerk of the firm, who gave a congratulatory address to its august visitors, had reportedly worked for Winfield’s for 25 years (Illustrated London News, 28 June 1851).
Making brass moulds.

A government investigator interviewed adults and children at Winfield’s Cambridge St works in the 1860s (3rd Report, Children’s Employment Commission).  Brass foundries were important employers for boys (girls worked in the packing rooms). Children started work around age 7, or more usually age 9 or 10. 
The choking, poisonous fumes in the founding and casting shops affected adult and child workers. The men making ‘yellow’ brass in particular suffered from lung diseases. Henry Peel (27), a brass-caster at Timothy Smith & Sons, said that ‘you get old’ at age forty: ‘I hope to live over 40’.

You can find out more about Birmingham brass manufacture, and how to trace ancestors who worked in the industry, in the December issue of Who Do YouThink You Are? magazine
Illustrations of brass strip casting, the brass workers' frieze, and the canals are from the English Illustrated Magazine, 1883. Making moulds and brass casting are from the Boys' Book of Trades, c.1890s. Author's collection. 

Friday, 21 November 2014

Eloped!

Saddle up and gallop over to the British Newspaper Archive blog to read my guest post on a true-life thrilling 19th century elopement which could have come straight out of one of Jane Austen's novels!
Illustration by Hugh Thomson, Coaching Days and Coaching Ways, (Macmillan & Co. Ltd, 1910).

Wednesday, 19 November 2014

Fairytale Gardens

Lady's Monthly Museum, April 1805.
Stroll over to my Jane Austen blog to find out more about the pleasure grounds of Vauxhall Gardens!

Monday, 17 November 2014

Does Every Picture Tell A Story?

Bridge St, Port Sunlight.
'Every picture tells a story', as the old saying goes  - but is it really the story that you think it is? I was intrigued by this old postcard (left), which I bought recently. The caption reads 'Colleens Dancing, Ballymaclinton (McClinton's Town, erected by the makers of McClinton's Soap)'. I hadn't heard of Ballymaclinton, but surmised that it might be a town built for factory workers by their employer, like  Saltaire, New Lanark or Port Sunlight. However, after a little research online, I found that Ballymaclinton was an advertising gimmick for a soap firm! This fake village was one of the star attractions of the Franco-British Exhibition of 1908. I thought that the 'colleens dancing' looked very posed - and the houses were amazingly white and clean. But it's still a fun postcard for my collection!

 Photo © Sue Wilkes.

Saturday, 8 November 2014

Austen Variations - And A Book Giveaway!

Today I'm a guest blogger on Austen Variations, courtesy of Jane Odiwe, whose new book Mr Darcy's Christmas Calendar is out now. Austen Variations, a website for writers and readers, focuses on 'Austen-related fiction, the Regency Period and Romance'. My guest post 'Chit-chat and Quarterly Reviews' looks at reading habits in Jane Austen's day.  There's a competition to win a free copy of my new book A Visitor's Guide To Jane Austen's England, so do take time to leave a comment - it's free to enter!
The lucky winner will be announced on the Austen Variations Facebook page on 15 November.

Illustrations:
Title page of the Lady's Monthly Museum.
Tottenham High Cross in 1805, Gentleman's Magazine April 1820.

Thursday, 6 November 2014

Win A Free Copy of Tracing Your Ancestors' Childhood!


Goodreads Book Giveaway

Tracing Your Ancestors' Childhood by Sue Wilkes

Tracing Your Ancestors' Childhood

by Sue Wilkes

Giveaway ends November 27, 2014.
See the giveaway details at Goodreads.
Enter to win

Saturday, 1 November 2014

Going Shopping With Jane Austen!

High Change in Bond St; Courtesy Library of Congress,
The latest issue of Jane Austen's Regency World includes my feature on going shopping in Jane Austen's day, Maggie Lane explores the work of Elizabeth Inchbald, and Penny Townsend discusses Austen and William Shakespeare. There's also a review of my new book A Visitor's Guide To Jane Austen's England by Joceline Bury.  Last but not least, the magazine has lots of wonderful Christmas gift ideas for Austen fans!